Movie Review: MANSOME

(l to r): Will Arnett, Jason Bateman

Release date: May 18, 2012
Directed by: Morgan Spurlock
Screenplay by: Jeremy Chilnick, Morgan Spurlock
Featuring: Morgan Spurlock, Zach Galifianakis, Will Arnett, Paul Rudd, Jason Bateman, Adam Carolla, Judd Apatow
Rating: not rated
Running Time: 84 minutes

Mansome is a mullet. Neither long hair nor short; neither here nor there. This Morgan Spurlock documentary about modern masculine grooming habits is neither all-out funny nor seriously thought-provoking. To mangle that famous quote by Gertrude Stein: “There is no hair there.”

With frequent contributions by such fun-sters as Paul Rudd, Zach Galifianakis, Adam Carolla, as well as opinions proffered from Judd Apatow (the go-to King of Male Comedies himself), we can’t help but expect a lighter look at such topics as ear hair.

On the other sideburn, while some of the film is informative, there’s just not enough going on that’s all that, um, hair-raising. In contrast, Chris Rock’s 2009 documentary Good Hair provides such great material, and humor, that Mansome looks all the more like the Supercuts alternative.

Spurlock constructs his film around a visit to a high-end day spa for the erstwhile fictional brothers of Arrested Development (and Mansome executive producers) Jason Bateman and Will Arnett. Bookended by their visit, the film checks back in with them from time to time as they get facials and massages, soak in a tub, etc, all the while discussing various concepts of grooming.

[For the full review, and Kimberly's, um, cutting rating, please click here]

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RULES ON HOW TO DANCE A GREAT CANNES-CANNES

For Cannes aficionados, as well as all of you planning to stay for some or all of the wild days and nights of the 65th Cannes Film Festival: Presenting a list of “Cannes-Do’s and Cannes-Don’ts.” Even if you’re a veteran, some of the following may resonate:

DON’T: Ask filmmakers why their movie tanked. Such as some journalist querying Gus Van Sant at Cannes last year with the question, “Hey Mr. Van Sant, about your latest film Restless … um, what happened?

DO: Expect the Palais guards to be mean. Seriously, No Country For Old Men Anton  Chirgurh mean. And DON’T even try to bring in a water bottle, even with a doctor’s note. They will shove you hard and say bad things in French.

DON’T: Be upset if your accommodations are a bit more rundown than you expected (as in this photo on the right). At least you have a roof over your head … unless, of course, you don’t.

DO: Know that you’re not seeing double. Cannes has two carousels and two sets of red steps at the Palais (the Grand Theatre Lumiere and the Debussy). Of course this info might make you drink more – and you’ll end up seeing quadruple.

 

DON’T: Eat a Gelato that’s bigger than your head. You do want to fit into the plane seat back home, yes?

DON’T: Think you’re going to be Mr./Ms. Chatty and befriend the Cannes glitterati, pushing your personal agenda. Is it something you said? Maybe. But maybe not. We forget: many people don’t speak English … or simply shake their heads, pretending not to.

DON’T: Expect to run into this guy (on the right), ultimately spending hours laughing with him over drinks. He’s on a yacht with Melanie and Brad and Angelina. An exclusive yacht. One that you may not even be allowed to stare at unless you slip someone some euros.

BUT,

 

DO: Expect to run into this guy (on the left). Don’t scoff – at least he came prepared with an umbrella. Did you?

DON’T: Spend countless hours trying to get a night shot with a piss-poor camera. Those are hours that you could spend either partying or sleeping. I mean, c’mon!

And speaking of partying and sleep:

DO: Get some. Otherwise, you might fall fast asleep on a bargain jewelry table like this little fellow (below). Someone might buy you. And who knows where you’ll end up.

Lastly:

DO: Have the best time imaginable!

(Note: All pictures taken by yours truly during Cannes 2011. Hoping to outdo myself at Cannes 2012.)

[For more of Kimberly Gadette's Cannes 2012 coverage, check out her articles on doddle]

 

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THE CANNES ‘DO: CANNES…NOT…WAIT!

The Cannes Film Festival coming in at second place? Excusez moi?  No, not really; Cannes’ only instance of secondary status is in its age, with its 1946 beginnings nodding to the senior Venice Film Festival of 1932. Other than that sole exception, Cannes continues to maintain its reputation as the most storied, most prestigious, most celebrated film fest in all the world. And this year’s 65th occasion, occurring May 16 through May 27, promises to be as starry as ever. A few of last year’s headliners will be back (Brad Pitt, Sean Penn), as well as Cannes-alum Nicole Kidman and fandom favorites Robert Pattinson and Kristen Stewart.

While there may be the occasional flurry of back-to-back premieres in Hollywood, nothing rivals the 12 days of international star power sweeping up and down the iconic red-carpeted steps at the Palais des Festival. In the preface to the book Observations by international Cannes photographer Stéphane Kossman, Peter Knapp writes: “The climb up the steps of the Palais des Festivals at the Cannes Film Festival is a difficult moment for any actor. During the three minutes it takes to climb the red carpet, the actor is under the eyes of more than 150 professional photographers snapping over 2000 shots.”

However, we can’t talk about it until we know how to pronounce it. Or, as My Fair Lady‘s Professor Henry Higgins once said, “The French never care what they do, actually, as long as they pronounce in properly.” Dispelling all lingering doubts, here’s the deal: the 8-square mile town, perched ever so seductively on the southeastern French coast, is pronounced CAN, as in “trash can,” and “Can you believe that I’m going for a second year in a row?” (Forgive the enthusiastic outburst from this film reviewer but any critic whose temperature doesn’t rise ever so slightly at the thought of experiencing world-class cinema debuting in this glorious setting might want to seriously reconsider his/her career.)

Last year I had the rare opportunity to witness the Lars von Trier “I think I’m a Nazi” meltdown at the press conference following the debut of his Melancholia. Lifted directly from his speech about Hitler: “He’s not what you would call a good guy but I understand much about him and I sympathize with him a little bit.” Mr. von Trier was subsequently ousted from the festival.

So disastrous was the event that it may have slipped Cannes’ collective memory that this was, in effect, nothing less than the auteur’s stunning encore. In 1991, after placing third rather than winning the top honor (the Palme d’Or) for his film Europa, von Trier took the opportunity provided during his acceptance speech to call that year’s jury chairman, Roman Polanski, a “midget” … and subsequently threw the award on the ground.

And yet, many other Cannes scandals (S’cannes-dals?) have had their day in the French sun. Such as in 1954, when Simone Silva, aka “Miss Festival,” suddenly dropped her top in front of then mega-film star Robert Mitchum. Ever the gallant gentleman, he used his own two hands to cover up her breasts. Oddly enough, it must have slipped Mitchum’s mind, right along with Ms. Silva’s bra, that the Cannes beach allows topless sun worshippers. The photographers were so eager to record the event that one man broke his arm … and another broke his leg.

Maybe Ms. Silva had been trying to top the photo opp from the year before, when Brigitte Bardot created an international stir by appearing in the heretofore little known style of swimsuit called the “bikini.”

But the picture that burns the eyes, far more than excessive 3D viewing in the dark, is the 2006 vision of Sacha Baron Cohen’s Borat, his hirsute body only slightly covered by a lime green sling, aka a “mankini.” Take that, Ms. Silva.

Baring the body out of doors comes in as a paltry second to some of the lewder scenes inside the cinema itself. Such as the final scene in Vincent Gallo’s 2003 The Brown Bunny, in which the explicit sex incited audience outrage, followed by a massive exit. Roger Ebert called it, “The worst film ever shown in the history of Cannes.” Reacting, writer/director/star Gallo called Ebert “a fat pig.” Which elicited Ebert’s final volley: “One day I will be thin; Mr. Gallo will still be the director of The Brown Bunny.”

Which brings us up to the present and Cannes’ 2012 Official Poster that, in recent years, has displayed a photo of an iconic actress beaming down from gigantic billboards and flags throughout the city. This year the representative face belongs to none other than Marilyn Monroe. And yet … Monroe never went to Cannes herself.

Scandalous? Not quite. But certainly intriguing. Simultaneously reflecting sublime glamour and a little bit of fiction, the poster signals a perfect opening salute to Cannes #65.

Cannes … not … wait!

[for Kimberly's film reviews, as well as her upcoming Cannes pieces, please click here]

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Movie Review: THE DICTATOR

Sacha Baron Cohen as General Aladeen in "The Dictator"

Release date: May 16, 2012
Directed by: Larry Charles
Written by: Sacha Baron Cohen & Alec Berg & David Mandel & Jeff Schaffer
Cast: Sacha Baron Cohen, Anna Faris, Jason Mantzoukas, Ben Kingsley, Megan Fox, John C. Reilly, Bobby Lee
Rating: R
Running Time: 85 minutes

Sacha Baron Cohen’s character has been described as, “a self-proclaimed lord, he rules over others using mostly his charisma and delegating; i.e., telling other people what they should do, since he certainly has very little ability to lead.” Oh, wait, that’s the animated character of King Julien, voiced by Baron Cohen in the animated Madagascarseries (the third film releasing this June). And yet, even if Baron Cohen’s fearless leader in The Dictator doesn’t require an animator, these two imperious characters are sketched in a similarly broad manner.

As for his star-turn vehicles, we’ve grown accustomed to Baron Cohen’s full-immersion personalities … whether it be his take on the all-inclusive offending journalist Borat, the über-fashionista Brüno, the suburban poseur rapper Ali G or, in this instance, General Aladeen. What’s new with this film, however, is its structured script – resulting in the most mainstream Baron Cohen project we’ve seen so far.

Reminiscent of 1988′s Coming to America, Baron Cohen’s “Admiral General Aladeen, Supreme Leader, Chief Ophthalmologist, Invincible, All Triumphant, Beloved Oppressor of the People” travels to the States, to speak at the United Nations in New York City. His ride down Fifth Avenue on a camel is just the start of his adventures: he inadvertently visits Brooklyn; he finds himself attracted to a person he calls “Justin Bieber’s chubby double;” and he ditches assassin attempts, all the while fighting to preserve his dubious right to the throne of the oil-rich North African country of Wadiya. (That’s Wah-DEE-ya, rather than the New York-ese version of “wadiya,” e.g., “Wadiya want?” or “Wadiya, crazy?”)

[For the full review and Kimberly's "Wadiya Wanna Know the Rating Fer"?, click here]

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Movie Review: DARK SHADOWS

The Collins Family and friends

Release date: May 11, 2012
Directed by: Tim Burton
Screenplay by: Seth Grahame-Smith
Story by: John August and Seth Grahame-Smith
Based on the television series created by: Dan Curtis
Cast: Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Jackie Earle Haley, Jonny Lee Miller, Bella Heathcote, Chloë Grace Moretz
Rating: PG-13
Running Time: 113 minutes

Tim Burton’s film opens with a thick fog enveloping a centuries-old British harbor. The protagonist’s beloved family has been destroyed, victims of an interloper. The protagonist, imprisoned by that same interloper, is finally freed of his shackles and hopes to exact revenge. Johnny Depp and Helena Bonham Carter star, with Bonham Carter playing a character who finds herself experiencing an unrequited crush. And Johnny Depp, sporting a pasty face and moody temperament, yearns for the true love he lost eons ago.

Given that Mr. Burton rarely undertakes sequels (the one exception is 1989′s Batman, followed by 1992′s Batman Returns), then no, this film is not a second look at 2007′s Sweeney Todd: The Demon Barber of Fleet Street. Other than a guest solo provided by Alice Cooper, the characters don’t sing. Instead of a soundtrack furnished by the brilliant Stephen Sondheim, we get tunes from the likes of Mr. Cooper, The Moody Blues, Donovan and The Carpenters. And Depp himself plays a fish out of water or, rather, a corpse out of box, reawakening after nearly two centuries from a nice long dirt nap. Welcome to the comical, Edward Gorey-esque dark, Dark Shadows.

Burton sketches in the back story with a series of economical sequences: The wealthy Collins family, having made their fortune from a fishing empire, set sail in 1750 for America, intent on building up a coastal Maine seaport that they name Collinsport. Two decades later, with the town thriving and the Collins’ enjoying their vast fortune, their young son Barnabas has grown into an educated, dashing playboy (Depp). While he loves Josette (Bella Heathcote) and intends to marry her, he dallies with housemaid Angelique (Eva Green). A wrong dally, if ever there was one. Angelique just so happens to be a witch, and will have none of it. She puts a spell on Josette, and turns Barnabas into a vampire. Worse, since he continues to spurn her, Angelique entombs him alive.

Flash forward, Barnabas’ coffin is discovered during an excavation, the hapless workers open it and surprise! out pops Johnny-in-the-Box.

[for the full review and Kimberly's to-die-for rating, please click here]

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Movie Review: GOD BLESS AMERICA

Joel Murray as Frank in "God Bless America"

Release date: May 11, 2012
Written and Directed by: Bobcat Goldthwait
Cast: Joel Murray, Tara Lynne Barr, Melinda Page Hamilton, Mackenzie Brooke Smith
Rating: R
Running Time: 104 minutes

Bonnie and Clyde killed while robbing banks. Natural Born Killers‘ Mickey and Mallory killed for kicks. And now we get Frank and Roxy who kill because, well, they’re somewhat annoyed. While they hadn’t planned on taking out that many jerks, once you get into a habit, sometimes it can be damn near impossible to break. Like Angry Birds, for instance. Or angry trigger fingers.

God Bless America is Bobcat Goldthwait’s fourth feature – but calling it a film is a misnomer. It’s a soapbox, constructed as a solitary diatribe against today’s societally frenzied culture. Oddly enough, Goldthwait presents an ironic dichotomy: In his fervor to rail against multiple examples of media missteps, the filmmaker unintentionally delivers one of his own.

Mild-mannered Frank (Joel Murray) is having an amazing run of bad luck. His ex-wife is remarrying some young stud policeman, his daughter has turned into a screaming, prepubescent monster and now he’s lost his job. (He didn’t intend to; he only meant to be friendly toward the office’s receptionist, but she ran to his superior with accusations of harassment.) Piling it on, it seems that his ill-mannered doctor – who takes cell phone calls during patient consultations – has discovered that Frank probably has a fatal brain tumor. Which may be a good thing, considering Frank doesn’t have all that much to live for.

[for the full review and Kimberly's rating, please click here]

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Parental Guide: Summer Family Film Preview 2012

For all concerned parents, grandparents and guardians who want a more comprehensive tour though the mine-fields of the alphabet soup of G, PG, PG-13 and R, here’s a look at the first two months of 2012′s family summer films (MPAA cautionary language quoted as available)

FOR MAY THROUGH JUNE, 2012:

5/04/12
“THE AVENGERS” (3D, Real 3D, IMAX)
starring: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Samuel L. Jackson

MPAA Rating: PG-13 (“for intense sequences of sci-fi violence”)

Plot: One-eyed Nick Fury (Samuel Jackson) is the director of S.H.I.E.L.D, an international peacekeeping agency boasting a roster of super heroes including Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. When an unexpected enemy emerges, threatening global safety and security, Fury must recruit all his super hero specialists. Reticent at first, they realize they’ll have to work together as a team in order to pull the world back from the brink of disaster.

Concerns: Think of this Marvel/Disney movie as a group of X-Men on steroids, accompanied by amplified sound and eye-popping digital effects. Buildings explode, fireballs devour streets, and an untold number of vehicles fly straight at the audience in inimitable 3D style. Other than a larger Incredible Hulk, the good guys aren’t scary. And mastermind villain Loki, sporting a cane, seems akin to a comical version of Willy Wonka. However, the film’s 9/11 look of destruction could easily disturb.

5/18/12
“BATTLESHIP”
starring: Taylor Kitsch, Alexander Skarsgård, Rihanna, Liam Neeson

MPAA Rating: PG-13 (“for intense sequences of violence, action and destruction”)

Plot: Inspired by Hasbro’s classic naval combat game, a small fleet of naval ships on exercise off the Hawaiian islands is suddenly pitted against an alien force that’s been lying in wait in the ocean to commence a full-scale attack on planet Earth. The fate of the world rests in the hands of a plucky few. Pop star Rihanna plays a naval artillery woman, ready to do battle with menacing robots twice her size.

Concerns: This is Transformers at sea (Hasbro created both), with wide-scale destruction – or, as one character states, “It’s an extinction-level event.” Glass and concrete buildings crash down, freeways crumple, people die. The  aliens’ implements of doom blast from the motherships, looking for all the world like giant mechanized yo-yos, equipped with destructive tails that lash out and split planes in two. Additionally, there’s a sexual situation on the beach and one-on-one battles between our heroes and the steel monsters. Parents may want to screen first.

5/25/12
“MEN IN BLACK 3″ (3D, IMAX 3D)
starring: Will Smith, Tommy Lee Jones, Josh Brolin, Rip Torn, Emma Thompson

MPAA Rating: PG-13 (“for sci-fi action violence and brief suggestive content”)

Plot: This sci-fi action comedy looks wackier than the prior two: Agent J (Will Smith) time-travels to 1969, to stop the assassination of a young Agent K (Tommy Lee Jones in the present, Josh Brolin in the past). If J doesn’t succeed, history will be forever altered. He discovers secrets to the universe that K has previously withheld – secrets he’ll finally learn as he teams up with the younger K, saving his partner, the agency and the future of humankind.

Concerns: Agent J is instructed to get “high,” and reacts positively to the idea … followed with a quick correction that he needs to climb “high” up on a skyscraper in order to jump back to 1969. There’s some questionable language, i.e., “dumb ass” and “pimp.” Expect the franchise’s usual slimy CG effects, e.g., a giant goldfish and a yards’-long human tongue. Younger audiences won’t understand the ’60s references, including the joke that Andy Warhol is indeed an alien.

Kristen Stewart as Snow White in "Snow White and the Huntsman"

6/01/12
“SNOW WHITE AND THE HUNTSMAN”
starring: Kristen Stewart, Charlize Theron, Chris Hemsworth

MPAA Rating: PG-13 (“for intense sequences of violence and action and brief sensuality”)

Plot: In this medieval epic action/adventure, as per the fairy tale, Snow White’s beauty eclipses that of the Evil Queen’s. The Queen learns that in order to remain young and beautiful for eternity, she must capture Snow White and eat her heart. When Snow White escapes to the malevolent Dark Forest, a Huntsman is hired to find her. But he quickly changes from hunter to protector, helping Snow White amass an army to vanquish the Evil Queen forevermore.

Concerns: Multiple sequences of intense battle warfare featuring swords, lances, knives, battle axes, etc. Frightening faces appear in the body of tree trunks, large snakes slither, and a gigantic minotaur, with grotesque teeth, threatens to devour Snow White whole. The mirror transforms into a gold faceless ghost, and the Queen herself turns into flocks of black, murderous birds. The concept of a person consuming a victim’s beating, bloody heart is highly disturbing. Mild sensuality as well. Strongly advise parental caution.

6/08/12
“MADAGASCAR 3: EUROPE’S MOST WANTED” (3D)
Voice Cast: Ben Stiller, Chris Rock, David Schwimmer, Jada Pinkett Smith

MPAA Rating: PG (“for some mild action and rude humor”)

Plot: In this third installment of the colorful animated comedy adventure, the lion, the zebra, the giraffe, the hippo and the penguins are still trying to return home to their beloved NYC. This film takes them through Europe, where they find the perfect cover: a traveling circus. Other than having to work up a convincing circus act, they’ll have to avoid capture from the zealous animal control officer (voiced by Frances McDormand).

Concerns: Few. The most menacing character is the French animal control officer, who proudly displays the mounted head of a puppy in her office. But rather than her engendering any real fear, the concern for younger audiences will be in comprehension, given her heavy French accent. Given that the earlier films having been rated PG, due to “mild crude humor,” that assessment echoes here as well. With a screenplay by indie satirist Noah Baumbach, the film may have an edgier tone than the prior installments.

6/15/12
“ROCK OF AGES”
starring: Alec Baldwin, Catherine Zeta-Jones, Paul Giamatti, Tom Cruise, Julianne Hough

MPAA Rating: PG-13 (“for sexual content, suggestive dancing, some heavy drinking and language”)

Plot: Having directed and choreographed the 2007 Broadway-to-movie musical hit “Hairspray,” Adam Shankman is at it again, adapting the stage musical “Rock of Ages” to film. Set in L.A. in 1987, two dreamy-eyed kids (Sherrie and Drew) have plans to hit the big time. Working at the same nightclub, they fall in love at first sight … but their romance will go through challenges as they struggle with their careers in the frenetic world of the Sunset Strip.

Concerns: This musical is geared toward teens/tweens. Staged in a Hollywood nightclub in the late 80s, expect multiple references to drugs and alcohol, and sexual situations. However, framed as a musical, the subject matter will be somewhat diluted. Given all the popular dance and musical TV shows such as Glee, as well as the films Footloose and Step Up (the next sequel releasing in July), parents should expect that their children, particularly the girls, will clamor to go. Suggest parental viewing first.

6/22/12
“BRAVE”
Voice Cast: Kelly MacDonald, Emma Thompson, Craig Ferguson, Robbie Coltrane

MPAA Rating—Predicted: PG

Plot: The first Pixar film to feature a female lead, this animated tale follows the heroic journey of Merida, a skilled archer and headstrong daughter of King Fergus. Determined to follow her own path, she defies an age-old custom, inadvertently bringing chaos to her Scottish highland kingdom. Merida must call on all of her skills and resources – including her mischievous triplet brothers – to undo a terrible curse, as she discovers the meaning of true bravery.

Concerns: As the splashy Pixar/Disney joint production, the studios have aggressively promoted this tale as “signature Pixar humor that audiences of all ages around the world have come to eagerly expect.” There’s some rude humor (e.g., an old Scot moons others), some characters’ thick Scottish brogues may sometimes intrude on the dialogue, and a menacing12-foot bear may frighten young viewers. But the mix of thrilling adventure, wacky characters and a strong female role model should prove “Brave” to be a top-notch, family-friendly choice this summer.

6/29/12
“G.I. JOE: RETALIATION”
starring: Channing Tatum, Dwayne Johnson, Bruce Willis, Adrianne Palicki

MPAA Rating—Predicted: PG-13 (as per the prior 2009 film)

Plot: The Hasbro action figure franchise about an elite military unit continues. Channing Tatum returns, joined by the added muscle of Dwayne Johnson and Bruce Willis. When bad guy Zartan takes out a multitude of men, framing the G.I Joe operatives as traitors, and succeeds in his plan to control the world’s leaders, it’s up to the remaining Joes to band together and strike back. Hence the name, “Retaliation.”

Concerns: As a high-octane actioner that’s light on plot and heavy on artillery, expect tons of TNT, flying cars, exploding set pieces, and a sizable body count (including a funeral scene). During one particular battle, while the duels in mid-air between characters hanging from the sides of mountains are riveting, those who lose will crash down to their deaths below. If parents vetoed the first “G.I. Joe,” this sequel proves similarly problematic, but with even grittier and more realistic effects.

For the full article, May through September, please click here

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Movie Review: THE BEST EXOTIC MARIGOLD HOTEL

(l to r): Judi Dench, Tom Wilkinson, Bill Nighy

Release date: May 4, 2012 (ltd., wider release May 11, 2012)
Directed by: John Madden
Screenplay by: Ol Parker
Based on the novel “These Foolish Things” by: Deborah Moggach
Cast: Judi Dench, Tom Wilkinson, Maggie Smith, Bill Nighy, Penelope Wilton, Dev Patel, Celia Imrie, Ronald Pickup
Rating: PG-13
Running Time: 122 minutes

If Carl from Up bumped into Shirley Valentine on his next balloon trip to India; if Eat Pray Love‘s Liz Gilbert located a personality; if director John Madden took the delicious rhythms of his Shakespeare in Love … oh, wait, he did, delivering some of his very best in The Best Exotic Marigold Hotel.

Echoing the characters themselves, Madden refuses to let his 60+ years slow him down, continuing to divine the divine in this salute to exploring new paths no matter the age; no matter the baggage.

And speaking of baggage, seven British retirees pack as much of their lives as they can into a few trunks and trundle off to India, lured by advertisements for the “Best Exotic Marigold Hotel” that bespeaks a viable, economic alternative to UK retirement homes. After all, why contend with England’s high prices and endless winter, when pensioners can bask in the warm climate and colors of Jaipur, living out one’s days in a quasi-palace that brings to mind a miniature Taj Mahal?

Talk about your false advertising …

[For the full review on doddle, and Kimberly's rating, please click here]

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Movie Review: THE AVENGERS

(l to r) Jeremy Renner as Hawkeye, Chris Evans as Captain America, Scarlett Johansson as Black Widow

Release date: May 4, 2012
Directed by: Joss Whedon
Screenplay by: Joss Whedon
Story by: Zak Penn and Joss Whedon
Based on the comic book by: Stan Lee and Jack Kirby
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Jeremy Renner, Scarlett Johansson, Tom Hiddleston, Samuel L. Jackson, Cobie Smulders, Clark Gregg
Rating: PG-13
Running Time: 142 minutes

Wow! Did you hear that deafening sound? Perhaps, due to the fact that The Avengers is already a mega-hit overseas (trumping the U.S. release by one week), it’s the blast of  an international box office rocketing skyward. Or maybe the explosion is that of a starter gun, signifying the opening day of the summer blockbuster season … a date that continues to crawl back toward April. (It will be no surprise when at some year in the near future, we’ll be celebrating New Year’s Eve and the first film of summer simultaneously.) 

Before we consider such questions as “How did Edward Norton turn into Mark Ruffalo?” and “Seriously, has Lou Ferrigno worked his way onto the payroll of every single Hulk project from inception?”, we need to know: Does this Joss Whedon creation deserve all the globally buzzy brou-ha-ha it’s reaping? Well … yes, mostly yes. And a little no, as you’ll read below.

But first, to keep you dangling in the mode of the cliff-hanger, let’s review the set-up in a super-concentrated nutshell: The evildoer, one Asgardian demigod named Loki (Tom Hiddleston, reprising his role from Thor), makes a deal with some dude in a hood with bad teeth, bringing to mind Emperor Palpatine from the Star Wars franchise. (Please: how many prior epic action series can we handle?) Then it’s off to earth, with Loki on a mission to capture the Tessaract (a cosmic cube of unfathomable power, previously introduced in Captain America: The First Avenger). Once the Tessaract opens up a portal from Loki’s world to ours, the bad-ass Chitauri army can invade our planet, enslaving all earthlings, and Loki will rule forevermore. Say it ain’t so. And yet … if Nick Fury (Samuel L. Jackson) fails in his attempt to get all the superheroes in his e-Rolodex to show up, dressed in their best superhero regalia, their props and gadgetry in top form … it will be so.

[For the full review on doddle, and Kimberly's super-duper rating, please click here]

 

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Tribeca Movie Review: ROOM 514

Guy Kapulnik, Asia Naifeld in "Room 514"

Written and Directed by: Sharon Bar-Ziv
Cast: Asia Naifeld (Anna), Guy Kapulnik (Nimrod), Ohad Hall (Erez), Udi Persi (Davidi), Rafi Kalmar (General Major), Hilly Israel
Running Time: 90 minutes

There’s supposedly a lot going on in Room 514. Or so we’d like to hope. The subject of interrogation, of course, considering that’s the main construct of this minimalist Israeli drama that earned a Special Jury Mention for its first-time feature director, Sharon Bar-Ziv. (For those more gender-sensitive than others, Sharon Bar-Ziv is a male.) While we’re on a male/female bent, it’s due to the fact that the interrogator is a female (Asia Naifeld’s Anna), that Room 514 also sees its share of heterosexual flirtation, seduction, sex — and disavowal of same. As well as deceit, manipulation and telephone calls from Interrogator Anna’s mother. Hold the phone. Did we just say that Anna’s mother calls during interrogations? And Anna actually answers?

When the first jingle interrupts the proceedings, we assume that this may be some sort of clever ruse, to throw the suspects off guard. But no … Anna just likes to talk to her mommy. And she’s hoping to impress her superiors with her professionalism?

But like a car filled with Palestinians, speeding away from the cruel Israeli soldiers who may or may not have engaged in an unprovoked attack … I’m getting ahead of myself.

[For the full review on doddle, and Kimberly's less-than-favorable rating, please click here]

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